Notorious B.I.G. – Ready To Die (Album Review)

In 1994, the top MC title was up for grabs: Tupac was still on the come up, Jay was trying to make his emergence into the game, and Nas made a classic album that put him in the hunt; then there was Biggie… Biggie was that one MC that was just as special as the others, with a little more umph to his style. Biggie was wild, he was unapologetic, and he was extremely violent! Biggie proudly represented where he was from in Brooklyn, and with “Ready to Die,” he ended up releasing a soundtrack for his city. In 2016, Biggie’s album still has a resounding impact in New York City, but for someone not born during that era (cough cough, millennials), or not a music enthusiast like me (cough cough, anyone),¬† this post will remind you just how dominant this album was in the 90’s.





In a guilty/probably sickening way, I think this song is EXCELLENT! I’ve heard it over 30 times in a month span, and each time, I hear it from someone else’s perspective:

Big’s Perspective:
In Biggie’s perspective, he is justifying why he wants to kill himself. What makes it so intriguing is that even though the topic is about suicide, he decided to rap in a relaxed/chill manner. (Keep in mind, THROUGHOUT the album Big has shown he can yell on a track like the best of them, so it may seem odd that he doesn’t on this song) I actually think this aspect is very fitting, as it seems he’s convinced that he wants to kill himself, and people who are usually at peace with this decision have no reason to be aggravated.
This is probably the most vivid perspective of someone thinking about committing suicide that I’ve ever heard.


Puff Daddy’s Perspective:

Puff Daddy is playing the friend that Big is ranting to on the phone. At first, he is calm and is dismissive of Big’s thoughts, but as Big continues to talk more and more crazily, Puff becomes more worried. This perspective is straightforward.
Everyone Else’s Perspective:
You then have the perspective of the baby mama, his mom, his record label, his friends, the food he left in the fridge that he wouldn’t be able to eat if he shot himself….So on and so on.
Overall, this track is a cinematic/well-written song that deserves an Oscar nomination.



Back in the days things were ‘different’ is the topic of this “Things Done Changed,” which essentially has Big referring to the 80’s being more¬†gentle¬†than the 90’s. The 90’s was about murder, drugs, and horrible names like Shenqua, and on this song, Biggie is discussing that evolve.
What I personally love about this song is its cinematic feel: It feels like the closing of an epic Black drama film, or better yet, it feels like the music they play to show highlights of the Teenage Mutant Ninja Turtles live action movie where they each got a chance at kicking the shredders ass!


3. BIG POPPA (5/5)

After killing, thinking about death, getting his johnson devoured, and wrapping an umbilical cord around his neck when he was a baby, it’s finally time to get sexy!

“Big Poppa” samples “Between the Sheets” by the Isley Brothers, and almost sounds identical to it.¬†But lets all be honest (In my Somalian from Captain Phillips movie voice), it’s Big’s beat now! With the beat being smooth, sensual, and flat out sexy, it’s odd when you hear this fat person talking about what he has, and how he can serenade ladies. But Biggie is such a good rapper, you can look past his obese stature and burger munching voice.

The song is almost like a joke, right? A mockery of a real love song. However, Big’s lyrics and swagger is so good that it turns out to be a classic. It might be the best accidental love song I’ve ever heard in my life!



This beat is tough! Doesn’t it take you on a roller-coaster ride? First it’s like elevator music that is soothing to the ears, and then the beat does a “BAM BAM BAM,” and it becomes an untamed animal that’s frustrated that it can’t have you as its lovely dinner.

Biggie gets straight to it on his verses. His aim is to make you feel his struggle. You take a journey into what he goes through on a usual day, and it’s so vivid! It Reminds me of a baby daddy on Maury trying to explain why he’s not the baby’s father.

How many rappers (let alone people) can make a song in which they’re openly admitting to thinking about suicide? It’s so real that it is rather disturbing. If I was one of his homies in the studio during this recording, I’ll tell Big: “YO, this song is hot, bro!” Then in the most gangsterous way I’ll ask him if he was tryna go to church with me on Sunday.



1. JUICY (5/5)

Obviously “Juicy” is a great song, but has anyone ever explained why it’s great?

First off, it starts off beautifully by saying, “F–k all you hoes!”, (How elegant and perplexing!) and then proceeds with Big saying, “F everyone blocking him from making money!” Surprisingly, his ‘f–k you’ list is not that long… You know how long my list of “F–k you’s” would’ve been if I was a rapper? “F my neighbors!, F the landlord!, F cox cable!, F the person that told me I shouldn’t say F everyone! F my girl! Then F myself for being a rude ass to my girl! F the Oscar’s committee….On and On, F and F!

What I really like about this song is Biggie’s tone on it: He’s angry, but not that angry…. He’s¬†reminiscing, but grudging at the same time… It just seems so real! His verses play sorta like an award speech.

Obviously the woman on the chorus is amazing, but what is overlooked by many is Puff Daddy playing the little homie in the background saying, “It’s all good” over and over again. It sounds like that one homie that you have that has 75 cents you need to buy the rest of that 2 dollar soda you want: “It’s all good homie, pay me back next time you got more money”.

Big starts his verse by saying, “Super Nintendo, Sega Genesis, when I was dead broke man I couldn’t picture this!” Doesn’t it just sound like struggling video game systems? Try substituting the video game systems of today into this scenario…. “Xbox 360 and PlayStation 3 with Blu Ray DVD capability-sis, when I was dead broke I couldn’t picture this!”¬† n—a, you don’t need all that S–T!





4. WARNING (5/5)

5. READY TO DIE (5/5)

6. ONE MORE CHANCE (4.5/5)

7. THE WHAT (5/5)

8. JUICY (5/5)


10. ME & MY B–TCH (4.5/5)

11. BIG POPPA (5/5)

12. RESPECT (5/5)

13. FRIEND OF MINE (4.7/5)

14. UNBELIEVABLE (4.8/5)





This album is excellent! Between all the albums that we consider classic in hip hop, this one might be the most animated/versatile: It is fun, sad, smooth, joyful and hard. It’s also disturbing in a way that I never thought an album could be disturbing…. (Yes, Eminem is disturbing, but that’s like stupid rapist disturbing; this is more of a “I feel for what he went through that made him disturbing” type of disturbing.)

I’ve said it before and I’ll say it again: This album has the best production I’ve ever heard! Puff Daddy does not get enough credit for helping orchestrate such a masterful sound. As for Big, his lyrics are unmatched! He doesn’t use punchlines to sound cool, he uses it to really let the listener understand what he’s trying to say. It’s all authentic from his front, which is why we love it.

Cheers to a great/classic album!




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