More than “Might Delete Later” dropped this weekend, y’all.

---

Concrete Boys – It’s Us Vol. 1

(C)

This s**t is not bad.

It’s Us Vol. 1 delivers high-quality jit music, and I mean that as a compliment. Throughout the album, you’re treated to experimental rap styles, diverse beats, jit-inspired lyrics, and tons of new-age swag. While I wouldn’t necessarily label any of the songs as featuring masterful verses, listening to the project does leave you with the impression that you’ve encountered a few artists who have the potential to push the genre forward if given the right opportunities.

Favorite Songs: “POINT ME TO IT,” “NOT DA 2,” & “ON DA RADAR CONCRETE FREESTYLE.”

---

Pharrell Williams – Black Yacht Rock Vol. 1

(B-)

I’m actually someone who appreciates artists finding unique ways to share their music with the world. However, I’m a bit frustrated that Pharrell Williams released a new album titled Virginia: Black Yacht Rock Vol. 1 exclusively on this website. I could download the album, but honestly, I’m not trying to do that s**t.

The good news is this: I think the album is pretty solid. It has 10 tracks, and you can hear Pharrell Williams in all of them (That’s actually saying a lot because lately he has been playing the back in songs that he is featured on). Additionally, he puts up some very interesting performances. Backed by alternative instrumentals, the Virginia Beach native sings as if he’s at an hour-long karaoke, experimenting with styles reminiscent of his old s**t and Michael Jackson, alongside newer styles that modern music fans will appreciate. In terms of content, he delves into being a free-thinker in relationships and life choices. The album just has this liberated feel.

Warning: You must listen to every song straight through as Pharrell disabled skipping.

Favorite tracks: “Richard Millie,” “Ball” and “Just For Fun.”

---

Lil Mabu – YOUNG GENIUS

(D)

I’m still pondering the seriousness of Lil Mabu as a rapper. While he displays flashes of being quite skilled, there are numerous instances where he seems to parody the genre rather than embody it authentically. Even after listening to the entire album, I remain uncertain about his true intentions as an artist.

Describing YOUNG GENIUS as explosive would be an understatement. Nearly every track on the album boasts earth-shattering beats, many of which lean into the drill style. Mabu delivers his verses with intense animation and energy, often centering on themes of street life and romantic encounters. While some of his delivery reminds me of 6ix9ine, I must admit that Mabu showcases a few flows that surpass the colorful rapper’s abilities. Additionally, his occasional forays into singing are quite respectable.

I think YOUNG GENIUS is listenable… Barely. While the elements I highlighted earlier may appeal to certain listeners, I find some of Mabu’s raps to be generic, lacking authenticity, and feeling forced. Although this album isn’t my personal taste, I can see it being popular among younger audiences.

Favorite Tracks: “TEACH ME HOW TO DRILL,” “MATHEMATICAL DISRESPECT,” and “ON THE RADAR FREESTYLE.”