Chris Brown adds 13 more tracks to “11:11.”
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5. My Slime
I want to go back to the days when the word “slime” actually had negative connotations.
Chris Brown’s swag is on 1000 in “My Slime.” Despite being backed by this smooth but uninspiring R&B beat, Chris brings out his sliest vocals and his strongest rizz game to let his chick know that she is validated to him in every single way because of her loyalty, body, and spirit. Overall, I think the song has a great hook, very infectious melodies, easy-to-consume lyrics, and a vibe that is very “Heat”-like.
4. Sex So Good
Sex can be so good that it has you paying for someone else’s rent. (Have you been down bad that much before?)
Another track, another satisfied version of Chris Brown. In “Sex So Good,” the Virginia native explains what good sex looks and feels like. While I think the most noteworthy aspect of the track is how it gives off this pleasant 90s-like R&B feel, boasting production I can see Brandy relying on back in the day. I also think Chris Brown’s vivid lyrics shouldn’t be ignored. I rock with how specific he is with his convos with his chick.
READ OUR TOP 5 CHRIS BROWN ALBUMS
3. Delusional
Based on “Delusional,” you can tell Chris Brown has made strides in how he handles relationships.
In “Delusional,” Chris Brown plays the bigger person in his relationship. He finds the silver lining in his arguments with his partner while also exploring potential root causes for their issues. What I love about the track is how Chris’ urgent vocals perfectly match the emotional, decorative production, creating a concoction that feels important. The icing on the cake is the screwed-up sample sprinkled throughout.
2. Freak (Ft. Joyner Lucas, Lil Wayne & Tee Grizzley)
We need more unapologetic rap tracks like this out of Chris Brown.
Some of the strongest tracks on Chris Brown’s resume are rap hits; I’m talking “Pills & Automobiles,” “Loyal,” and “Look At Me Now.” As I think about it, whenever he drops a rap track with at least two rappers, it’s a hit. That said, “Freaks” is a hit. The bass-booming track features unapologetic verses from Joyner Lucas, Chris Brown, Lil Wayne, and Tee Grizzley. By unapologetic, I mean they each talk about smashing chicks in various ways. While it’s Joyner who sets the tone for the track by sounding like an aggressive freak, it’s Chris who comes across as the cool kid/Migos-hating freak, Wayne who comes across as a wacky freak, and Grizzley who comes across as a carefree freak. Who knew there were this many types of freaks in this world?
Please don’t tell me Chris Brown washed all of these certified rappers on this song… Say it ain’t so.
1. No Interruptions
Here’s how you can enjoy “No Interruptions” to the max: Listen to it without interruptions. (That means putting a muzzle on your 1-year-old.)
“No Interruptions” is such a magical track. From the moment it starts, you get ramrodded with rich vocals and enchanting production. S**t, just the way it sounds will put you on cloud 9. As for lyrically, Chris comes across as a guy ready to take his time pleasing his chick. If you and your partner are looking for tips on spicing up your relationship, I recommend spinning this track.
SONG BY SONG BREAKDOWN
1. Bruce Lee (4/5)
2. Girlfriend (3.5/5)
3. No Interruptions (5/5)
4. Run Away (Ft. Bryson Tiller) (4/5)
5. Delusional (4.5/5)
6. Freak (Ft. Joyner Lucas, Lil Wayne & Tee Grizzley (4.5/5)
7. Won’t Keep You Waiting (Ft. Mario) (4/5)
8. Hmmm (Ft. Davido) (3.5/5)
9. Afterlife (3.5/5)
10. Sex So Good (4/5)
11. My Slime (4/5)
12. Sweet Lullaby (3.5/5)
13. Residuals (4/5)
OVERALL RATING
(B-) (80%)
Feel however you want to feel about Chris Brown, but one thing you can never say is that he doesn’t care about his fans. After dropping a very light 21 songs with the original version of 11:11 (I’m being slightly sarcastic here), he has decided to gift us 13 more tracks on the album’s deluxe version. Here’s the kicker: Chris sings like his life depends on it in every single track not named “Freak” (“Freak” is a rap song).
What stands out to me about this album is how Chris Brown seamlessly incorporates R&B into his own style. He doesn’t rely on copying formulas or following trends; instead, he crafts songs that range from dreamy to slightly edgy to diverse and fun. Additionally, I appreciate the sense of freedom he exudes throughout a significant portion of the project. Chris’ positive and productive approach to love resonates with me, as he seems genuinely enthusiastic about being with his partner. It’s the kind of vibe I’m on right now.
If there’s one aspect of this album I’d consider changing, it would be just a few individual songs. For instance, “Girlfriend” seems to linger in a sound that Chris might consider moving past by now. Similarly, while “Afterlife” pays homage to Michael Jackson, I found its impact somewhat lacking. However, I want to emphasize that this is just me nitpicking; overall, there isn’t a single bad song on this album.
Protect Chris Brown at all costs, guys.
Quincy is the creator of Ratings Game Music. He loves writing about music, taking long walks on beaches, and spaghetti that fights him back.
