EST Gee doubles down on his gritty style in “My World,” delivering one of the most unpolished, raw trap albums of the year—love it or hate it.
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TOP 5
5. Get Down V2 ext aug8
EST Gee isn’t playing around in “Get Down V2 ext aug8.” The first half of the track rides on a booming, cinematic beat, with Gee laying out his thirst for revenge and how easily friends can flip into enemies. His delivery is intense—he sounds like the kind of guy who loads up the car with Glocks right after brushing his teeth. Then, the track flips. The second half gets way more dramatic, almost like an oath to a trap president, with EST sounding emotional and determined not to go out without a fight. The contrast between both parts makes for a gripping and unpredictable listen.
4. GEESKI SHAKE July 1
60% of why I like this track is the ridiculously catchy chorus EST Gee delivers—especially that “Shake Shake” part. It’s addictive. Another 20% comes from the menacing, hard-hitting production that gives the whole track its relentless energy. The final 20%? Honestly, it’s just because the song is called “GEESKI SHAKE,” which sounds like it could accidentally become the next viral dance craze. As for the lyrics? I’m not entirely sure what he’s saying—but does it even matter?
3. PABLO FINAL GOTTI version
In “PABLO FINAL GOTTI version,” EST Gee taps in with his boss, Yo Gotti, who sets the tone with a laid-back verse and catchy chorus reflecting on early success—money, guns, and respect all before most people hit 21. Gotti also drops some street wisdom on how to move smart in the hood. EST picks up where he leaves off, delivering a sharp, calculated verse about how he navigates pressure and sticky situations, reminding you exactly why he’s highly regarded in his neighborhood.
2. geeski ball new intro
EST Gee doesn’t even give you a second to settle in before snapping. On “geeski ball new intro,” he launches into the track like someone told him he had five minutes to finish it—rapping with a relentless, almost unhinged flow. He talks plugs, his top-tier status, and his readiness for any kind of smoke, anywhere. The energy is wild—this track feels like trap samurai music, straight-up.
1. Tug Of War March 17
From a rapping standpoint, EST Gee taps into his melodic side on this track, delivering emotional verses that pair perfectly with the heartfelt production. At other times, he shifts back into his usual gritty, hard-edged delivery. It’s easily one of the most dynamic performances on the project. So what’s fueling this range? Sounds like relationship issues, drug struggles, and shady lawyers. If this is the result, maybe a few more problems wouldn’t hurt.
SONG BY SONG RATINGS
1. geeski ball new intro (4/5)
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RGM RATING
(66%)
I’ll be the first to admit—EST Gee’s music is an acquired taste, and it’s not one I naturally gravitate toward. Then again, I’m also not into beers that taste like coffee. That said, in My World, Gee takes his sound to another level of raw and unfiltered. He slurs his words heavily—like someone who both supplies and samples his own product—talks about violence like it’s just part of the job, and raps over menacing trap beats that sound tailor-made for back-alley business deals.
There is something to appreciate here, like the brutally honest lens through which EST Gee tells his story. But for me, the verses lack finesse, the choruses aren’t very clear, and the overall vibe is just a little too jagged. Still, judging by the track titles and themes, this project feels like the most uncut, unpolished version of a rapper who’s already known for keeping it raw.
Quincy is the creator of Ratings Game Music. He loves writing about music, taking long walks on beaches, and spaghetti that fights him back.
