Bryson Tiller’s “Vices” is a smooth, confident rap turn with R&B flavor.
STREAM
TOP 5
5. Burnout (Ft. Bun B)
Do you know who else has burnout? Trump’s press secretary.
One could argue that Bryson Tiller’s best rap performance lives in “Burnout.” After a brief screwed-and-chopped intro, he launches headfirst into a dizzying, hard-hitting beat, rapping with supreme confidence and level-seven aggression. His focus? Calling out another man who clearly can’t match the lifestyle and flex Tiller can provide. He bulldozes through the track like a lyrical bully, especially toward the end of his verse, hammering home a truth most guys already know — it’s not always about sentimentalism; sometimes, it’s about cents and dollars.
As for Bun B’s verse, it’s solid but feels slightly out of place in the track’s overall vibe. Still, there’s something admirable about how he taps into a more vulnerable side, detailing the ways he’d treat his lover while appreciating how she moves. In the end, “Burnout” feels like a bold, brash rap moment that might be an acquired taste, but one that’s hard to forget once you’ve heard it.
4. No Sharing (Ft. Luh Tyler)
I’m surprised Cam Thomas isn’t on this track.
“No Sharing” centers on a woman so captivating that she leaves no room for competition. She’s confident, ambitious, stylish, and creative — the kind of woman who knows exactly what she wants and how to get it. Both Bryson Tiller and Luh Tyler admire her drive and individuality, and Tiller makes it clear he wants her exclusively by his side.
Sonically, “No Sharing” delivers an easy, unforced groove. The beat rides smoothly, giving space for both artists to trade verses and play off each other’s styles. It’s the kind of track you can throw on for a late-night drive, or send straight to the “favorite baddie” in your contacts.
With its laid-back energy and confident lyricism, “No Sharing” fits seamlessly into Tiller’s catalog while giving fans something fresh to hold them over until the album drops.
3. Money Shower Interlude
Yeah, if you’re throwing money around loosely, you can’t make that s**t a full song these days (Negro, inflation is going on right now).
I can’t stand when artists make interludes this good, but at just 1:50, “Money Shower Interlude” still feels worthy of a rating. The track glides over a hard-hitting yet sly beat that instantly pulls you in. Bryson Tiller leans into a cold, melodic rap delivery, injecting emotion at all the right moments.
Lyrically, Tiller paints a vivid late-night scene — ditching the club to spend time with a woman, getting into some explicit escapades, and hinting that she might be a dancer. Either way, he’s ready to spend big on her. Even without a chorus, the track flows effortlessly, packing in storytelling and mood in a way that makes it feel far bigger than its runtime.
2. Last Call
People always look like demons when they turn those club lights on.
Bryson Tiller opens this track by asking, “What’s it going to take for you to drunk call me,” setting the tone for a song that’s all about the late-night link-up. He paints the picture vividly: bad Chinese takeout, red eyes, and a whole lot of intimacy. The production has a slightly glitchy but controlled feel, built on finger snaps and a steady, enticing tempo (Kudos to Hitmaka).
Vocally, Tiller shifts gears smoothly between thirsty, desperate, passionate, and fully prepared for sex war. It’s a track dripping with vibe — the kind that feels instantly relatable to anyone (with at least average looks) who’s got options around the clock.
1. Mini Kelly (Ft. Rick Ross)
Bryson Tiller blacked out on this track. I’m convinced.
Bryson Tiller is known for blending rap and R&B, but on “Mini Kelly” he’s strictly in rap mode — and he’s going hard. The track rides over a riveting, elegant beat with a touch of darkness and plenty of bass. Tiller attacks the instrumental with one of his steadiest, most relentless flows, turning up the cockiness and standoffishness while still carrying that airy tone that makes him seem approachable. Lyrically, he talks about confronting the current boyfriends of the women he’s after, treating them better than their exes, and spoiling them at every chance.
Rick Ross matches the energy with a fire verse, gliding over the beat with his trademark commanding delivery. He raps about upgrading the women in his life, jet-setting overseas, and filling his backyard with luxury cars. The chemistry between the two is undeniable, and the beat keeps both artists on their toes.
SONG-BY-SONG BREAKDOWN
1. On The Way (3.5/5)
2. First Place (3.5/5)
3. Cut Ties (Ft. Bossman Dlow) (3.5/5)
4. Mini Kelly (Ft. Rick Ross) (4.5/5)
5. 200 Bands (Ft. Plies & T-Pain) (3.5/5)
6. Money Shower Interlude (4.5/5)
7. More Than Money (3.5/5)
8. Make Life Easy (Ft. BabyDrill) (3/5)
9. No Sharing (Ft. Luh Tyler) (4/5)
10. Last Call (4.5/5)
11. Burnout (Ft. Bun B) (4/5)
12. Finished (3.5/5)
RGM RATING
(70%)
In Vices, Bryson Tiller raps his way. What does that mean? He still sprinkles in some of his signature vocals and rides the beat with ease, but there’s a certain grace to his delivery that makes it distinctly his own.
This album offers a variety of interesting beats. While most are smooth, you can hear Jersey Club influences on some tracks, Detroit/Florida-style bounce on others, and even late-night club energy sprinkled throughout. What I appreciate most is that the production maintains a consistent atmosphere, making it an easy front-to-back listen. My one gripe? A few beats feel like they’re missing that intangible oomph—the spark that could have elevated them to another level.
Apparently, Vices is meant to showcase Bryson’s rap side, while his other album, Solace, will focus more on his vulnerable, introspective R&B style. Even so, he still finds moments here to sing, turning up the emotional dial with pockets of heartfelt vocals and infectious melodies. When he fully locks into rap mode, Bryson sounds phenomenal—sharp flows, great command, and just the right punch. That said, I don’t think he found the perfect balance between rapping and singing here, which sometimes made it tricky to lock into the rhythm of a track or identify a clear chorus.
My favorite thing about Vices is hands-down the content. The premise revolves around Bryson in full playa mode—stealing women who aren’t his, spoiling them, and living lavishly. While that might sound like surface-level flexing, his delivery is anything but basic. The storytelling, honesty, and “big-boy bars” he drops keep it engaging from start to finish.
While this isn’t my favorite version of Bryson Tiller, Vices still delivers in content, vibes, and moments of R&B magic. If the beats had sounded just a bit more complete and the features felt more in sync with the vision, I would’ve scored it higher.
Quincy is the creator of Ratings Game Music. He loves writing about music, taking long walks on beaches, and spaghetti that fights him back.
Discover more from RATINGS GAME MUSIC
Subscribe to get the latest posts sent to your email.
