“Slime Cry” is a massive, chaotic release where personality outweighs precision.

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TOP 5 SONGS

5. Mask And Gloves

NBA YoungBoy needs a version of Jesus who got his full eight hours of sleep.

I don’t promote deranged violence at all. I wouldn’t hurt a fly with the same mannerisms as Karl-Anthony Towns. That said, on “Mask And Gloves,” the first real track on Slime Cry, I actually think NBA YoungBoy approaches the subject in a surprisingly eloquent way.

Set against dramatic production that takes its time before fully knocking, YoungBoy shifts between moments of heartfelt singing and flashes of unhinged intensity. 

Throughout the track, he paints a picture of a mind constantly circling violence, even while surrounded by wealth and genuine support. It feels less like glorification and more like conflicted storytelling, exposing how those thoughts linger regardless of success.

All jokes aside, the record is genuinely intriguing to listen to, and for the record, no, I’m not going through anything wild in my personal life right now.

4. Anti-Social

Anti-social is the new social, folks.

“Anti-Social” finds YB juggling success, street instincts, and emotional volatility, breaking down how fame, trust issues, and excess have pushed him into isolation. That constant pressure helps explain why he’s overcompensating by killing more people than Duke Nukem.

For fans of YoungBoy in his emotionally charged, sing-like-my-life-depends-on-it mode, this is exactly the kind of record you want. Against production that feels like background music for a church recruitment video if it had subwoofers, he blends infectious melodies with moments of subdued reflection. The chorus is especially strong, catchy without trying too hard, and gives the track a surprisingly smooth vibe overall.

3. Devil Go Away (Ft. Jelly Roll)

If Jelly Roll were younger, he would definitely be a YW.

I’ll be honest. I felt real fatigue getting through this album, but tracks like “Devil Go Away” made pushing to the end feel worth it.

Built on a melancholic instrumental anchored by piano notes that genuinely hit you in the chest, the song finds Jelly Roll delivering a passionate, emotionally charged chorus about facing down the devil and his crew like it’s a decisive Game 7. It’s dramatic, but grounded in a way that feels earned rather than corny.

NBA YoungBoy meets that energy with restraint, rapping in a more subdued tone as he reflects on past mistakes, pain, and personal growth. Together, the two emphasize resilience, faith, and the determination to move forward without letting temptation or negativity win. Jelly Roll is phenomenal, the vibes are immaculate, and YoungBoy comes across as surprisingly relatable here.

2. Bruce Wayne

If YoungBoy is Batman, who is The Joker?

“Bruce Wayne” stands out as one of the project’s more creative moments. Here, NBA YoungBoy likens himself to Batman, presenting himself as a powerful yet guarded figure juggling wealth, street authority, inner conflict, and complicated relationships. Framing himself as Bruce Wayne, he even leans into the imagery of masks and capes, using the metaphor to reflect how he moves through the world.

The production is a big reason the track works so well. It carries dramatic tension while still packing enough trap energy to keep its hip-hop edge. I also love how YoungBoy balances subdued rapping with edgy, emotional singing, giving the record real texture. Overall, this one feels focused, thoughtful, and genuinely high quality.

1. Good Dope

Isn’t “good dope” what got Maduro jammed up by us?

If you’ve heard one menacing NBA YoungBoy track, you’ve heard them all. Still, this one shows a little more control and patience. On one flow, he unloads relentless bars over the bass-heavy, hypnotic Louisiana bounce beat. On another, he slows the rage down and lets it simmer. And on a third, he carries that quiet menace of thugs who stare at the floor right before swinging at you.

Lyrically, despite the drug-inspired title, he sticks to familiar street territory: ducking police, trapping, flexing, smashing women, and, of course, putting belt to ass. It’s nothing new content-wise, but the way he paces and switches his delivery gives it a sharper edge than usual.

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SONG BY SONG RATING

1. Love Speaks (N/A)

2. Mask And Gloves (4/5)

3. Another Episode (3.5/5)

4. Anti-Social (4/5)

5. Headtap (3/5)

6. Badder Than Yours (3/5)

7. Me and You (3.5/5)

8. My Life I Apologize (2.5/5)

9. Perfecto (3/5)

10. Ballin (3/5)

11. Bang Out (3/5)

12. Don’t Break (3.5/5)

13. Good Dope (4/5)

14. Teary Eyes (Ft. Burna Boy) (3.5/5)

15. For You (3.5/5)

16. Bruce Wayne (4/5)

17. FWYT (3.5/5)

18. Role Model (4/5)

19. Baby Boo (3/5)

20. Vendetta (2/5)

21. Horsepower (3/5)

22. My Grave (2.5/5)

23. My Brothers (3.5/5)

24. I Want (3/5)

25. L.O.V.E.H.A.T.E. (3/5)

26. Resume (2.5/5)

27. Steal The Show (2.5/5)

28. Factor (3.5/5)

29. Leaving Me (2.5/5)

30. Devil Go Away (Ft. Jelly Roll) (4/5)

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RGM RATING

(64%)

I’ll be honest. After reviewing well over 15 NBA YoungBoy projects, there isn’t much new terrain left to map. You already know the formula. There are moments where he goes ballistic over bouncy, menacing Louisiana beats, moments where vulnerability slips through the cracks, and moments where he leans into his lovey-dovey bag. Lyrically, it’s familiar territory too: violence, love, feeling misunderstood, and making money. That’s the deal, and at this point, expectations are set.

Where Slime Cry separates itself is in its sheer scale and tone. At 30 tracks, it’s a massive listen, and YoungBoy sounds more obnoxious and unfiltered than usual, sometimes to the point of cartoonish exaggeration. On tracks like “Badder Than Yours,” he genuinely sounds like a Looney Tunes character, experimenting wildly over different variations of his signature Grim Reaper-style production. One of the album’s more refreshing moments comes from his unexpected collaborations with Burna Boy and Jelly Roll, two artists far removed from his usual sonic world, which adds some much-needed contrast.

Personally, I gravitate toward the softer records. My blood pressure simply can’t handle nonstop Grim Reaper energy, even though I’ll admit there are moments where that aggression sounds effective. Still, the project ultimately suffers from bloat. There are too many low-quality beats, scattered performances, and not enough depth to justify a 30-track runtime. By the end, fatigue really sets in.

That said, YoungBoy’s personality remains the glue. His raw, chaotic charm keeps you listening longer than you probably should, even when the album feels exhausting.

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