Trippie Redd – ! (Album Review)

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Trippie Redd looks to bolster his already impressive resume with “!.”


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TOP 5

 5. Under Enemy Arms

Trippie Redd sounds ready to go to war with all of his opps in “Under Enemy Arms.”

I’m vibing with the army-like beat, the catchy chorus, and the raw lyrical content that drives “Under Enemy Arms.” However, Trippie’s inconsistent delivery of the lyrics in his verses doesn’t sit well with me. At times, he sounds like he’s rapping while gargling on some mouthwash. Considering both the positives and negatives I mentioned, I can imagine some people disliking this track while others genuinely f**king with it.

4. Mac 10 (Ft. Lil Baby & Lil Duke)

“Mac 10” serves as a chilling reminder of the consequences one might face if they dare to cross paths with Trippie Redd.

I love how gritty “Mac 10” sounds. Additionally, I appreciate the military-like approach that Trippie Redd and featured guests Lil Baby & Lil Duke bring to their respective verses on the song (Who doesn’t enjoy listening to rappers with a militant flair?).

Am I the only one who still questions Trippie’s gangster persona even after he releases hard-hitting tracks like “Mac 10?”

3. !

Trippie Redd is too talented for his own good. Who the f**k knew he was capable of making an EDM hit like “!?”

“!” showcases vibrant production by Diplo and a fearless vocal performance by Trippie Redd. Lyrically, Trippie discusses his efforts to mend his mind before pursuing a woman who could be detrimental to him. I guess the Canton native has finally grasped the concept of nurturing something fragile (if only he applied that mindset to his face).

2. Snake Skin

Could you imagine if humans could shed their skin? I bet Travis Hunter’s girl would get rid of that s**t immediately.

During my initial review of the album, I completely overlooked “Snake Skin,” and I have to admit—that was a mistake. Revisiting it today, I recognize just how great the track is. The production is a standout, blending a gentle vibe with subtle trap elements and a deep, booming bass. The hook is absolutely killer—catchy as hell—and the lyrical content delivers a powerful reminder for haters to focus on their own lives instead of yours. That said, Trippie’s repeated use of the word “suicidal” does come across as slightly cringe-worthy.

1. Immortal (Ft. The Game)

“Immortal” features two of rap’s most outrageous individuals in The Game and Trippie Redd.

I appreciate the dramatic vibes attached to “Immortal.” Trippie Redd hits us with vocals delivered in a heartfelt way on the chorus, while in his verses, he raps with pure grit. As for The Game, he delivers a slick verse that has him trying his hand at singing just a little. Both artists talk about being ready for war and overcoming tough situations.

The Game was on a Trippie Redd album before a Rick Ross album this year (I can’t say I saw that coming)…


SONG BY SONG BREAKDOWN

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OVERALL RATING

(72%)

Trippie Redd is undeniably a unique artist with an impressive ear for music, but his artistic choices can sometimes feel perplexing. On !, Trippie leans heavily into experimentation, which leaves me with mixed feelings about the overall execution.

The vibes on ! are undoubtedly enjoyable. Many of the beats carry a soothing quality, while others feel militaristic and forceful. Trippie’s willingness to embrace each beat, regardless of its nature, demonstrates his defiance of conventional norms, a trait I admire in his music-making process.

The album’s features, however, are a mixed bag. Coi Leray’s performance on “Everything BoZ” was disappointing, but Lil Baby, Lil Duke, and The Game delivered solid verses on tracks like “Mac 10” and “Immortal.” Despite these collaborations, Trippie remains the driving force behind the album, a fact I’m more than okay with.

While Trippie’s debut album set a solid foundation, ! feels like a step back in some ways. His love for experimentation, though commendable, has introduced some growing pains into his music. I believe Trippie will refine his craft and fully harness his potential in time, but for now, I can’t fully endorse this phase of his artistic evolution.


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