I think Yeat is an acquired taste artist. What does that mean? Well, it means that he doesn’t make music that is for everyone. As a matter of fact, when I first listened to his songs, I was as perplexed as the 76ers fans who heard more cheers for the Knicks in their arena earlier tonight. It’s uncertain whether Yeat is deliberately adjusting his sound to attract a broader fan base or if we, as listeners, are simply growing accustomed to his distinctive style. Nevertheless, his recent releases, “king tonka” and “Heavy stunts,” appear to have a more mainstream appeal.
“king tonka” is like music from another planet, with Yeat riding atop a static-filled, trippy beat that demands powerful speakers to truly appreciate. Throughout the track, he experiments with different rap styles and voice alterations, all while asserting his status as a “rich-ass junkie” who lives life on his own terms, whether that means spontaneously visiting exes or cruising in loud cars. While certain parts of the track are undeniably catchy, overall, the song’s rhythm proves elusive, akin to a cat trying to catch a mouse.
I personally believe “Heavy stunts” is the one. I love the song’s dark, Sega Genesis X-Men video game-inspired beat (I wish everyone could grasp what I mean), Yeat’s somewhat composed demeanor, and his efficient yet disrespectful talk. Don Toliver’s contribution brings slick deliveries and mature lyrics that perfectly complement his too-cool-for-school vibe. Overall, this unexpected collaboration, which seemed a bit odd at first, turned out to be fantastic.
If Yeat can give us 15 “Heavy stunts” on an album, I would be a happy camper.
Quincy is the creator of Ratings Game Music. He loves writing about music, taking long walks on beaches, and spaghetti that fights him back.
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