Destroy Lonely – LOVE LASTS FOREVER (Album Review)

Destroy Lonely proves he’s a force to be reckoned with in “LOVE LASTS FOREVER.”


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TOP 5 

5. PIMP TALK

Did this negro say Ice Spice bit him?

First and foremost, let’s give credit to the beat on “PIMP TALK.” It’s phenomenal, with its hard-hitting bass and dramatic violin adding a riveting flair. As for Destroy Lonely’s performance, it’s a bit hit or miss for me—sometimes, he comes off as a bit restless. Still, I respect his bold lyrics about finessing women, owning lavish homes, and flaunting stacks of cash. There’s a brief moment towards the end where he finally locks in with the beat and rides it well, though.

4. CADILLAC

Can someone please explain what having a Cadillac on your chest means?

For anyone looking to catch a vibe with this album, I highly recommend putting “CADILLAC” on repeat. The track features smooth production that’s easy on the ears yet has enough bump to get club play. As for Destroy Lonely, he delivers a laid-back verse with a dynamic flow. When I’m ready to take a break from the crazy tracks on this album, “CADILLAC” will be my go-to track that I toss on.

3. LUV 4 YA

Imagine being chased by a cyborg to this s**t. It would probably be amazing as hell!

In “LUV 4 YA,” Destroy Lonely embodies the persona of a heartbreaker—more focused on stacking cash and living on the edge than fully committing to someone. Yet, he still has a little love for this unnamed person and is down to do drugs with her (How sweet).

The production shines with synths that merge “Terminator”-like intensity with delicate, bird-like gentleness. Destroy Lonely’s easygoing flow and delivery, which gives the impression he’s being electrocuted, lend the track an effortlessly cool vibe.

2. LOVE HURTS

Destroy Lonely and Lil Uzi Vert in “Love Hurts” = Jayson Tatum and Jaylen Brown on gas.

“LOVE HURTS” has a mesmerizing beat that makes me picture a love story unfolding on a distant planet. Over it, Destroy Lonely and Lil Uzi Vert explore the ups and downs in their relationships, highlighting their confrontations and good times. Destroy Lonely brings a slick, Don Toliver-esque style to his delivery, while Uzi taps into their most vulnerable vocals, conveying genuine heartbreak. All in all, I think this is a fantastic collaboration.

1. DOUBT IT

Have you ever looked at your girl’s face after telling her you doubt she will do something for you? It gets nasty.

If Destroy Lonely can stay in this exact pocket, I might just crown the kid. “DOUBT IT” is straight flames. I love the track’s booming, mechanical trap beat—it gives me flashbacks of the old Gucci Mane era, back when he was rocking a big belly and slurring his words. As fire as the beat is, Destroy Lonely is still the star of the show. I mess with his simple but effective flow, the raw emotion in his voice, and the extended, catchy chorus that sticks with you. He also strikes a perfect balance between flexing and showing humility as he addresses those who think he changed once he got some change. From every angle, this track hits.


SONG-BY-SONG RATING

1. FOREVER (3.5/5)

2. LOVE HURTS (Ft. Lil Uzi Vert) (4.5/5)

3. LUV 4 YA (4/5)

*4. GET RIGHT (3.5/5)

5. CRYSTAL CLEAR (3.5/5)

6. BABY MONEY (3/5)

7. SAY THAT (3.5/5)

8. PIMP TALK (4/5)

9. CADILLAC (4/5)

10. SYRUP SIPPIN (4/5)

11. LOCK IN (3.5/5)

12. DOUBT IT (4.5/5)

13. WISH YOU WELL (4/5)

14. SHIP HER OFF (4/5)

15. HONESTLY (4/5)

16. TAKE A TRIP (3/5)

17. EXTRA HIGH (4/5)

18. AMERIKA (3/5)

19. THRILL (Ft. Ken Carson) (4/5)

20. ABOUT MONEY – BONUS (3.5/5)

21. NO WORRIES – BONUS (3.5/5)

22. PASS ME THE KEYS – BONUS (3/5)

*23. PRETTIEST ONE (3.5/5)

*Indicates Deluxe Version


RGM RATING

(C) (75%)

Random fact: I20 from “Move B*tch” is Destroy Lonely’s father. That’s so f**king random. Why don’t these negroes sound alike?

Before this album, I hadn’t reviewed any of Destroy Lonely’s work. That said, I’m genuinely impressed with what I’ve heard. While there are moments in LOVE LASTS FOREVER where DL does lean into that Playboi Carti clone lane, he also reveals other sides to himself that are way more compelling. Particularly, he showcases some solid vocals that remind me of Don Toliver’s sound, and his vulnerable side (Which shows its face here and there) feels relatable and grounded. On top of that, DL channels vibes from Atlanta legends like Future and Young Thug, giving his style more depth and range than expected.

The beats on this album deserve chef’s kisses—every single one. Nearly all of them bring this futuristic, Terminator-like vibe with heavy synths and deep bass that I can’t get enough of. The production gives the whole project a cinematic quality from beginning to end. But what’s also cool is how Destroy Lonely still incorporates those traditional trap vibes into the mix, almost like he’s paying homage to the Atlanta legends who came before him. You know what, f**k it—I’m calling it: this album has the best collection of beats I’ve heard all year.

What would I change about this album? First off, I prefer when Destroy Lonely leans into his more straightforward, melodic approach rather than trying to mimic the Yeats, Playboi Cartis, and Ken Carsons of the world. We get this side of him on tracks like “DOUBT IT,” “LOVE HURTS,” and “PIMP TALK.” Secondly, while it might be a pipe dream, I wish DL would avoid reverting to basic s**t-talking whenever he runs out of things to say. The typical “so and so s**ked my d**k” and “I got money” talk feels played out at times. He doesn’t need to get super deep, but adding a bit more substance when needed would elevate the album—like he does on “EXTRA HIGH.” Lastly, I would’ve liked more features on this project. The beats are too legendary to miss the opportunity to hear other rappers hop on them. A Lil Baby, Carti, or even Yachty feature would’ve been fire. But hey, these are just minor complaints.

This might be Destroy Lonely’s DS2, dawg.


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