Surprisingly, “Luh Leakyz Vol. 1” proves I’m not tired of Yeat yet.

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STREAM

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TOP 5 SONGS

5. u could

“u could” is muddy as f**k. Play this s**t in a lit swamp, and muthaf**kas will lose their minds. As for the raps, Yeat turns the knob closer to demonic, talking about killing folks off and putting chicks through mattresses that sound like they’re on fire.

Some might find the sluggish pace a turnoff, but I actually enjoy it. The music practically sticks to your ears. You might need to power-wash that mf off.

4. SKLUB

“SKLUB” sounds like Yeat made it while waiting to check into hell. The production has this grave, diabolical feel that his sick ass sounds way too comfortable vibing with. He even mentions demons calling him. My guy, you probably have caller ID, so you can see who’s calling. Let that s**t go to voicemail.

Flow-wise, this might be his most dynamic performance on the project. He slides across the beat with a slightly quicker delivery, but his tone sounds like the sedative is kicking his ass. I love how those two things work together.

3. Real Trendsetter

Yeah, Yeat, let ’em know folks are jocking your style. On “Real Trendsetter,” he talks about the vacations he’s planning and the guns he’s ready to use if somebody gets froggy. He also calls out the folks treating his music like a copy-and-paste assignment, even getting specific about people calling up his producers (Damn, that’s real weasel behavior).

The production brings those glitchy, futuristic elements, while Yeat delivers a slick flow, a catchy chorus, and yet another bounce that gets the job done.

2. Time Passëd

“Time Passëd” gives us Yeat in full bragging mode. His diamonds are shining, his money is obnoxious, and his shooters sound ready to put our souls on the next flight upstairs. Personally, I love the pace of the production and how casually he moves over it. His tone stays unbothered, but those sudden vocal bursts make sure you don’t get too comfortable. Lyrically and vocally, everything falls into place, giving the track a bounce that’s easy to enjoy.

1. HeliMAn

I hate that Yeat and Travis Scott are involved in such a random beef because Travis would’ve been right at home on this s**t. Listen to those opening ad-libs and tell me you aren’t waiting for an “It’s lit!” to sneak through your speakers.

Regardless, the track is fire. The production delivers the kind of bouncy, starry trap energy that keeps your head moving, while Yeat gets creative with his delivery, sounding like everything from a villian to a hypeman. He’s mostly just vibing, but everything clicks.

This is the project’s best track, and I don’t think it’s particularly close.

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SONG BY SONG RATING

Lil Krazy (3.5/5)

Time Passëd (4/5)

Liv Dis Lyfe (3/5)

Real Trendsettër (3.5/5)

When tha World Ends (3.5/5)

MARCHING (2.5/5)

SKLUB (3.5/5)

u could (3.5/5)

X with the boot up (2/5)

Diseasë (3/5)

HeliMAn (4/5)

Countup (Ft. Summrs) (3.5/5)

Martian (4/5)

Last Day (4/5)

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RGM RATING

Another random Yeat project has entered the room, and this one gets the job done. He sounds comfortable as hell, rapping with that half-awake, unbothered delivery while the moody production does everything possible to get on your speakers’s nerves. The beats have that older Yeat knock, the sequencing keeps things moving, and the choruses are among the biggest reasons this project works.

I’m glad he trusts his usual sound here. The bass-heavy, futuristic trap, altered vocals, and hypnotic repetition give him plenty to work with. He finds enough little pockets and vocal tricks to keep that formula entertaining.

There are moments where the music feels muddy enough to lose a shoe in, and I actually love the sluggish pace. Then you get tracks with more bounce, sharper flows, and production that sounds like it belongs downstairs—and I don’t mean the basement. Yeat moves through all of it casually, occasionally throwing in a vocal burst for anybody getting too comfortable.

As expected, the lyrics are full of money, diamonds, women, threats, and accusations that folks are copying him. The appeal is how naturally he delivers it. He sounds like bragging is something he does while waiting for his food.

Me and Yeat have come a long way. His random s**t is becoming some of my favorite s**t, and this project gives me another reason to keep pressing play.

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