Yeat sounds like he’s in another stratosphere in “2093.”
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TOP 5
5. Familia
“Familia” is an anthem I can get behind.
Yeat’s persona often appears solitary, so it’s intriguing why he’s chosen to create a song titled “Familia.” Nevertheless, the track is undeniably impressive. In it, Yeat delivers confident verses that showcase his versatility through steady, clear, high-pitched, and distorted vocals.
The two standout elements from “Familia” are the energetic, hard-hitting beat and the irresistibly catchy hook. Additionally, the song’s mind-bending conclusion adds an extra layer of intrigue and captivation.
4. Lyfestylë (with Lil Wayne)
Do you know how Lil Wayne says, “We are not the same; I am a Martian?” Well, I think Wayne has finally met someone who shares his otherworldly qualities.
Yeat channels a more extraterrestrial vibe than Lil Wayne in “Lyfestylë.” His hypnotic melody creates an unearthly experience, especially when layered over the hard-hitting, paranormal-sounding beat. As for Lil Wayne, he delivers a surprisingly conventional rap verse. In it, he touches on topics like getting dome, metaphorically “spitting acid,” carrying an AK, and likening himself to the color of a gold medal. He completely did his own thing here.
What are the chances Lil Wayne knows who Yeat is? I feel like he definitely laid his verse down before hearing Yeat’s verse.
3. Nothing Changë
Can we get some Cole verses on the remix to this song?
The beat in “Nothing Changë” evokes imagery of the quieter, contemplative moments often found in slasher movies — those instances when the protagonists are pondering their next steps. I love it! Though I can’t recall all of Yeat’s verses word for word (although I did catch references to SpaceX and Jimmy Butler), I greatly appreciate how he effortlessly rides the beat, fully maximizing its potential.
2. Bought The Earth
I think Yeat shows serious growth in “Bought The Earth.”
Yeat recently mentioned in an interview that he’s been delving into extremely old music lately, particularly music from the early 1900s. The production in “Bought The Earth” seems to reflect the influence of that era’s music. It’s orchestrated impeccably, is melodramatic, and lacks any trap vibes. While Yeat’s performance in this song may not be reminiscent of Frank Sinatra, I did appreciate moments where he showcased his singing skills and skillfully balanced vulnerability with s**t-talking.
Yeat couldn’t make a song like this three years ago…
1. Power Trip
Yeat 100% nailed the landing for this song.
“Power Trip” has more faces than Vivica A. Fox. The song begins with an emotional tone, transitions into a punchy banger (which happens to be my favorite section), and then gradually shifts into an otherworldly sound before concluding with tranquil, flower-picking music. Throughout the song, Yeat showcases versatility by altering his voice in various ways yet consistently delivers memorable melodies that will undeniably capture your attention.
SONG BY SONG BREAKDOWN
1. Psycho CEO (4/5)
2. Power Trip (4/5)
3. Breathe (3.5/5)
4. Morë (4/5)
5. Bought The Earth (4/5)
6. Nothing Changë (4/5)
7. U Should Know (3.5/5)
8. Lyfestylë (Ft. Lil Wayne) (4/5)
9. ILUV (3.5/5)
10. Tell më (3/5)
11. Shade (3/5)
12. Keep Pushin (3/5)
13. Riot & Set It Off (3/5)
14. Team ceo (2/5)
15. 2093 (2.5/5)
16. Stand On It (Ft. Future) (4/5)
16. Familia (4/5)
17. Mr. Inbetweenit (3.5/5)
18. Psychocanë (3/5)
19. Run Thëy Mouth (3/5)
20. If We Being Real (3.5/5)
21. 1093 (2.5/5)
OVERALL RATING
(B-)
Initially, when I encountered Yeat’s music, it felt like noise to my ears. However, over time, I’ve grown to appreciate his unique creations, particularly his adeptness in manipulating high-octane, psychedelic beats alongside lo-fi melodies. However, with 2093, I’ve noticed a significant evolution in Yeat’s sound. He sounds clearer, more confident, and more open to experimenting with conventional rap elements. It’s as if Yeat’s music and our ears have finally found common ground.
One thing I will not argue about with 2093 is the production we get on the album — it’s truly fantastic. The beats are masterfully crafted, featuring multiple layers seamlessly blending futuristic and contemporary elements. They also hit hard and serve as the perfect backdrop to complement Yeat’s irregular sound. Overall, the production we get in 2093 deserves an A.
I appreciate Yeat’s approach to collaborations, as he selectively works with artists who either complement his style or whom he deeply admires. It’s reassuring to see that 2093 features only those who align with his vision, as I would have been disappointed to see artists like Lil Baby or Lil Durk, whose styles may not have meshed well with the album’s aesthetic. Nevertheless, the two featured artists on the album, Future and Lil Wayne, offer solid verses that make perfect sense within the context of the project. I commend Yeat for this strategic approach and encourage him to continue curating collaborations that elevate his music.
I don’t perceive this album as lacking in any regard. Despite not aligning with my personal music taste, I acknowledge its cohesive flow, the memorable moments it offers, and the exceptional beats. All in all, I thoroughly enjoyed listening to this project.
Quincy is the creator of Ratings Game Music. He loves writing about music, taking long walks on beaches, and spaghetti that fights him back.
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