Snoop Dogg- 10 Til’ Midnight (Album Review)

Snoop Dogg embraces his OG status with confidence and ease throughout “10 Til’ Midnight.”

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TOP 5 SONGS

5. 17 Rules

You probably get some of Snoop Dogg’s sharpest rapping on this album right here. On “17 Rules,” he dives into storytelling, painting the picture of a young guy making more bad decisions than Pooh Shiesty, ultimately leading to him getting locked up. What really stands out is how Snoop structures the story using numbers, starting from one and weaving the rest together seamlessly to build the narrative.

Beyond the verses, the track hits on multiple levels. The soulful chorus adds emotional weight, while Snoop’s delivery carries a sense of urgency that pulls you deeper into the story. The production ties it all together, blending West Coast sounds with reflective, neo-soul elements to create something that feels both smooth and impactful.

On any given day, this could end up being the best track from this project.

4. Step (Ft. Swizz Beatz)

Brother, “Step” had me shaking my ass. The groove is undeniable. The production carries this vintage, bouncy rhythm that feels tailor-made for players to loosen up, with a tempo that keeps everything moving effortlessly.

Over it, Snoop Dogg does what he does best, talking his talk with confidence. He shouts out his Death Row ties, challenges his opps, and reps his gang with zero hesitation. It’s classic Snoop energy: laid-back but commanding, delivering lines with that signature smooth, playa-style that makes it feel like he’s about ten seconds away from pimp slapping someone.

These are the kind of tracks that would make YNs find common ground with oldheads.

3. No Ticcet Needed (Ft. Kanobby)

You know Snoop is feeling good when he decides to sing on a track. He does that in “No Ticcet Needed,” sharing the chorus with singer Kanobby. As for his verses, he takes his sweet time laying them down, as if the booth he recorded in had incense smoke, a comfortable couch, and light-skinned women in robes all around. What he raps about is having a good time; that means indulging in recreational drugs, connecting with women from all over the globe, and appreciating one another’s vibes. This is some smooth s**t.

2. Stop Counting My Poccets

“Stop Counting My Poccets” is about as Snoop as it gets. Over a bouncy, sun-soaked West Coast beat, he glides with that effortless, unbothered delivery that’s been his signature for decades. Lyrically, it’s simple but effective: his money is his business, and nobody needs to audit his pockets.

What really makes the track stick, though, is its vibe. The production has that smooth knock that sneaks up on you, and the hook, sung by some random homeless man, adds just enough flavor to keep things interesting. Overall, this s**t feels loose, fun, and intentionally unserious, almost like a playful cousin to “Ups and Downs.”

1. Leave That Dogg Alone

If I had to guess, J. Cole (yes, the dude who plays for the Monkey Kings right now) probably loves this track. In “Leave That Dogg Alone,” you get melodic raps from Snoop Dogg that are as slippery as Bones Hyland’s game, as he uses a cadence that reminds me of some Cole has rocked with in the past.

On the chorus, things get even smoother as Snoop turns the singing up a few notches. When you add in his lyrics about wanting to be left alone and the rich but extra silky production, you get a masterpiece that is as plug-and-play as it gets (Literally, you can toss about 50 different mainstream rappers on this s**t and it would work).

SONG BY SONG RATING

1. Step (Ft. Swizz Beatz) (4/5)

2. Lied 2 U (3.5/5)

3. Slid Off (3/5)

4. Daddy Rich (N/A)

5. Stop Counting My Poccets (4/5)

6. OG to BG (3/5)

7. Dogg Wattup Doe (Ft. Peezy) (3.5/5)

8. Leave That Dogg Alone (4.5/5)

9. Pop My Shit (Ft. Trinidad James) (3/5)

10. 17 Rules (3.5/5)

11. Bread Under The Bed (3.5/5)

12. No Ticcet Needed (Ft. Kanobby) (4/5)

13. Long Beachin’ (Ft. Shawn Location) (3/5)

14. QTSAMYAH (Ft. October London) (3.5/5)

RGM RATING

(70%)

Snoop Dogg sounds like he’s having a blast on 10 Til’ Midnight, and that energy carries the entire project. I mean, at this stage in his career, he’s not really chasing anything, so f**k it, right?

There’s also a competitive edge that never really left him. Snoop spends time calling out imitators, flexing his lifestyle, and reminding listeners that he now owns Death Row Records, a full-circle moment that adds weight to everything he says. At the same time, he leans into his OG status, offering game about life, business, and staying solid. It’s less about proving he’s the best rapper and more about showing why he’s lasted this long.

Stylistically, he’s loose and comfortable. He experiments a bit, singing on tracks like “Lied 2 U,” sounding unapologetic on “Stop Counting My Poccets,” and holding his own alongside both longtime collaborators and newer voices. His rapping is straightforward, simple, and direct, prioritizing personality over technical flash. The production varies nicely, moving from smooth and reflective to club-ready and West Coast-inspired, keeping things interesting.

The album isn’t perfect. Some tracks feel predictable or slightly gimmicky, and the bars can come off basic. Still, it works because of what it represents. Snoop isn’t trying to reinvent himself; he’s enjoying the moment, embracing his legacy, and letting the music come naturally.

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