BNYX – GENESIS FM (Album Review)

BNYX’s “GENESIS FM” blends futuristic production, dance influences, and lowkey features into a cohesive sonic experience.

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TOP 5 SONGS

5. luv yoU right

“luv yoU right” features what I think is the catchiest and most memorable chorus on the project. It’s the one that stuck with me most after the track finished playing. The song also includes a bridge that feels nostalgic as hell, and it does a strong job of connecting ‘80s-inspired elements with a more futuristic 2065-like sound.

It feels like a record that sits in an odd in-between space, where it either sounds like something that isn’t really made anymore, or something that hasn’t quite started being made yet.

4. EVERYWHERE I GO (REMIND ME) (Ft. Kid Cudi & Röyksopp)

When I first heard this track, I really disliked it. It felt somewhat lazy at the time, and triggered flashbacks to that old Geico Cavemen commercial that scared the hell out of me back then. However, within the context of the album, it fits much better and complements the other tracks, which are less experimental.

It also brought back my appreciation for Kid Cudi. There’s something about the way he dissolves into the production, humming, singing, and fully committing to the atmosphere. It works well here.

3. fuëgo (Ft. Yeat, Peso Pluma & Bizarrap)

Yeat is probably the mainstream rapper most closely associated with BNYX’s sound, so it feels fitting that he appears on one of the project’s biggest tracks, “fuëgo.” His contribution is strong as well, delivering an unfiltered, borderline incoherent performance with an exaggerated sense of swagger.

Peso Pluma and Bizarrap add another layer to the track, bringing in Spanish-language elements and zanier energy, respectively. Their contributions make the collaboration feel unpredictable in a way that still works. Overall, it comes together as an unexpected but effective team-up that is genuinely fun to listen to.

2. I wanna know 😉 (Ft. Big Sean & Clara La San)

Big Sean recently became single, and his approach feels noticeably different. I was already surprised that he chose to rap over a beat rooted in old-school dance R&B, but what stood out even more was his full commitment to the performance. He delivers both rap verses and singing alongside Clara La San, and the shift in energy is striking.

1. HunchO STEP! (Ft. Quavo)

“HunchO STEP!” is bouncy as hell, littered with synths, and feels like something you do the robot to, and despite not changing who he is, which is a flex-heavy rapper, Quavo fits the song perfectly. What that tells me is that originality always reigns supreme, no matter what it’s paired with.

SONG BY SONG RATING

1. GENESIS FM (Ft. Mandal) (N/A)

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RGM RATING

(80%)

You can argue that BNYX has had a year just as strong as any other producer in the game. Between collaborations with artists like Yeat and Drake, he has carved out a sound that feels unmistakably his and has leaned fully into it. While he is often recognized for his hip-hop production, he also has a clear affinity for dance music, which becomes the foundation of GENESIS FM.

The production throughout the album is consistently impressive. Nearly every instrumental is layered with futuristic textures, from shimmering synths to digital, tech-inspired details that give the project a sleek, forward-facing edge. While dance influences drive much of the record, elements of hip-hop bounce, subtle jazz touches, atmospheric effects, and other genre blends are woven in smoothly and without disruption. The result feels cohesive and fluid rather than scattered or forced. It is the kind of production that fits perfectly in a late-night rooftop setting, where the ambiance does most of the talking.

Beyond the production, the guest list stands out. BNYX makes a point of working with lesser-known or emerging artists to carry much of the project. Performers like Clara La San, Ledbyher, and Lancey Foux deliver understated, infectious contributions that fit the tone of each track. The lyrics are not overly referential or dense with subtext; instead, they remain grounded and direct, which suits the project’s overall mood.

For those unfamiliar with BNYX’s background, it may be surprising that he avoids the typical hip-hop producer approach of stacking high-profile features and chasing obvious hits. Instead, GENESIS FM flows with intention and reflects a clearer sense of artistic identity. It feels deliberate, restrained in the right ways, and fully aligned with his creative instincts.

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