Album

J. Cole – KOD (Album Review)

img_2005

It’s Saturday afternoon, I’m in the hospital with my brother because his wife just gave birth, and the NBA Playoffs are set to begin with a match-up between the San Antonio Spurs and the Golden State Warriors. After getting past all the analysis from the commentators, the intro to the game finally emerges. On it, we get a chance to see some of the best plays from this years NBA season, narrated by a riveting verse from J. Cole. For me, hearing this version of Cole for even 45 seconds was a pleasant surprise, because I feel like this version of Cole was missing the last couple of albums. Sure, his feature on “Boblo Boat” with Royce Da 5’9 was absolute flames, but think back to his music from “For Your Eyes Only” — It wasn’t as lyrical as his past first few projects (Mind you, he had a song about folding clothes on that album). For “KOD” (An album with a cover that features our hero with a crown on his head and a bunch of kids beneath him that are clearly indulging in the toxins that hip hop artists promote today), I expect a fiery Cole (aka Playoff Cole) to show his face, putting his oddball competition in place while entertaining true hip hop fans everywhere. 


TOP 5

 

5. ATM

Lets be real, the flow Cole is rapping with on this song is what makes it special. Throughout, he spits with such a good rhythm, never slipping up a single moment. At the same time, I feel like Cole also sprinkles in some appealing bars on his verses, sticking his chest out like he just made an “AND 1” in a nail-biting road playoff game.

There are so many quotables on this song, and they are delivered so effortlessly. This reminds me just how easy this Rap s**t comes to him.

 

 

4.  THE CUT OFF

“The Cut Off” has this old school vibe to it, as Cole discusses his willingness to alienate himself from a couple of his problematic homies from the past. Throughout the track, he sounds convinced that doing this is the right decision, but eventually stumbles, falling prey to the troublesome temptations that comes with being around them.

Ironically, this song is very soothing to me. It utilizes these calming piano notes and consistent percussions throughout that are therapeutic to my ears. In my opinion, it’s the type of song that is perfect for a small little concert at your local Bus Boys and Poets. (Probably an empty one, because no one knows who the f**k kILL Edward is!)

 

 

3. KOD

“KOD” has Cole spitting with the same flair as all of your favorite rappers in the game right now: I’m talking Blocboy JB, Lil Xan and even Kendrick Lamar. I would expect such thievery from The Game, but not from you, Cole!

While I think this song is definitely a banger, I do have this feeling that Cole is trying to make a mockery of us simple-minded rap fans throughout it. For the people that do not think he’s trying to do that, enjoy it for its unique flows, heavy-hitting beat and catchy hook. For the people that can’t look past his perceived bashful behavior, make sure you ask him who the f**k he thinks he is for being so goddamn sarcastic about the music of today.

I love how Cole lets the world know that he’s back and ready to kick some ass on his first verse, but goes on a tangent about a bunch of pointless s**t on his second verse. It’s obvious that both the regular version of himself and the Lil Yachty version of himself are at war with one another, and the prize to be won is rap supremacy. I say both sides need Jesus.

 

 

2. PHOTOGRAPH

“Photograph” is smoother than Donald Trumps comb-over.

“Photograph” falls in line with the “Dreams” and the “De-ja Vus” of the world. On it, Cole gets obsessive with what he considers his dream girl over this gloomy instrumental. When it comes to artistry, this is the Cole that I expected to hear throughout his career — One that can give us an infectious melody, calculated bars, and this awkwardness that resonates with us all because we were all awkward at one point of our lives.

I can sympathize with what Cole is going through on this song… One day I saw a picture of a Big Mac with bacon on it, and damn there s**ted my pants at what such savoriness can mean for my taste buds.

 

 

1. WINDOW PAIN (OUTRO)

Can you believe this is an outro? I feel like it’s better than 99% of the s** t Smokepurpp has dropped this year.

Cole absolutely pours his heart out on this song. On the hook, he delivers something that is very melodic, giving thanks to the man upstairs while fighting to truly understand what it takes for him to be happy in life. As for his verses, he shows a bit of frustration, outlining the careless things he has seen the people around him do throughout the years. Overall, I like the storytelling approach he uses throughout, as he paints this vivid picture of the Ville that may look similar to your nearby projects.


SONG BY SONG BREAKDOWN

1. INTRO (N/A)

2. KOD (4.5/5)

3. PHOTOGRAPH (5/5)

4. THE CUT OFF (4.4/5)

5. ATM (4.2/5)

6. MOTIV8 (3.9/5)

7. KEVIN’S HEART (4.3/5)

8. BRACKETS (3.9/5)

9. ONCE AN ADDICT (3.9/5)

10. FRIENDS (4.2/5)

11. WINDOW PAIN (OUTRO) (5/5)

12. 1985 (INTRO TO THE FALL OFF) (4/5)


OVERALL RATING

(B)

 

I think it’s pretty obvious that “KOD” has a tone to it that is different from Cole’s previous albums.  The production is mellow, a bit drowsy, and very simplistic. At times, Cole does give in to the vibes of the production, harmonizing and delivering a few sentimental lines here and there, but for the most part, “KOD” is all about its message(s). Cole’s message(s) mainly revolve around the disappointment he has with a couple of bad seeds he’s either run into or seen in the urban culture today. In typical Cole fashion, he doesn’t always attack the hot topic head on in this album, at times making a mockery of it by using the youth’s words and actions against them by aimlessly plugging it into his raps. In the songs that he doesn’t use this approach, he goes Trump Twitter account on folks, showing little to no restraint when it comes to telling it how it is. If you ask me, mixing the two styles on this album makes for an interesting concoction.

I’ll be honest with you: Listening to this album made me miss the days when Cole simply rapped. Don’t get me wrong, a few of the songs on this album contained a version of Cole that was fiery and ready to gnaw a rapper’s head off, but for the most part, I feel like he was focused on trying to shove knowledge and wisdom down our throats as opposed to giving us something in line with his musical peak. It’s almost like Cole’s aim was to make an album that the urban media would want to punch in its face, and I’ll be the first to tell you that it crossed my mind at least 7 times while listening to it. But that means his message was effective, right? Before he can get back to feeling free on the mic, he has to play savior to a genre that many perceive as deteriorating. Like many, I am guilty of turning a blind eye to the recklessness that rap has become from time to time, and Cole made sure I was veered back on course by dropping this album. It was a good ole ‘slap in the face’ to wake me up from my lean coma. Job well done, sir!

 

Advertisements

10 replies »

  1. I couldn’t disagree more. I don’t think Lil’ Xanax has ANYTHING to offer to hip hop, and it’s about time that those in hip hop with nothing to offer get called out. Other than Kendrick and a select few in the mainstream, everything is a giant load of shit, making people more stupid and with no content to talk about, nothing to learn, no culture lens to analyse. Can’t we push the envelope past that? This is exactly what Cole is doing, and if you can’t take the fact that these fake ass rappers are shit, it’s on you. You can keep your Migos, your Lil’ Xan; I’ll take this Cole album over all that shit. Whatever happened to lyrical content? Whatever happened to telling a story? All people care about is some shit that bangs. But when artists go out of their way to provide content, we get reviews like this; “Why don’t Cole just rap, why does he have to be sarcastic, taking shots at the wack rappers?”. For people thinking that Cole was going to drop another GOMD, have you been listening to anything that he’s been putting out since then? This isn’t about being “woke”, it’s about providing content, and a unique perspective. If people are too dumb to get anything out of it, thats just too fucking bad.

    Like

    • I LOVE YOUR PASSION ON THIS TOPIC! It’s why I love writing reviews from my perspective.

      1. Trust me, I never said Lil Xan has anything to offer to hip hop at any point of this review. I am actually not a fan of his music. I am all the way fine with Cole calling people like him out, just as long as the music he does it in doesn’t suffer. (I love how he called out (Rumored) Kanye and Wale in False Prophets, while still making a dope track)

      2. I do partially agree, rap music isn’t the best right now, but those who aren’t quite pushing the envelope have their own lane and I think it’s OK if we don’t understand why. If you are fan of theirs and you f**k with it. Lets not be so overly critical of them; lets pray for them instead!

      3. Never have I said I prefer Migos or Lil Xan over Cole. I agree, I’m guilty in this review of sounding a bit sarcastic, but I’m with you, I love music that is lyrical and actually meaningful. However, being a fan of Cole since day 1, I just preferred him when he was on his come-up, rapping a little more loose than he does now. Lets be real, I don’t always want a f**king life lesson to be shoved down my throat every single time I hear my favorite artists.

      4.Actually, Cole DID drop a few GOMD’s on this album.. KOD had that feel, ATM had that feel….Yes, his lyrical content is more political on the latter, but that’s the only aspect that is different from GOMD on those songs.

      5. I like passion, and see where you are coming from with your opinion, but you have to be careful when it comes to how you view music. Before the messages, before the politics, the musicality has to be good. Like you, I love that he tackled the urban issues throughout, but at the same time, a good duration of the album played like interludes, to me. One guy that I think did it right was Joey Bada$$: He was political as s**t in his last album, but at the same time the music was so f**kin’ dope!

      Once again, thanks for reading! I really appreciate your lengthy comment..

      Like

  2. yo this album easily deserves a 9/10 or 9.5/10
    it show cole in another prespective. ive gotten so tired of hearing people say cole’s boring. This album is fire, even motiv8 is kinda dope

    Liked by 1 person

    • 8.4 isn’t too far away from 9….:)

      I feel like this is a version of Cole that was inevitable to happen. A Cole that wants to tell it how it is, and put people in their places.

      I HATE WHEN PEOPLE SAY COLE IS BORING! He’s not boring, he’s just not erratic as your other rappers, which lots of people translate to boring.

      Lots of people think Motiv8 is dope….I guess it has to grow on me.

      Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

w

Connecting to %s