Kodak Black sounds extra demonic in “Trill Bill.”
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TOP 5
5. Cyber Truck
I saw the video of Kodak Black’s Cybertruck with a toilet in it—it’s going viral online.
“Cyber Truck” feels like an improvised freestyle, lacking a clear structure as Kodak Black spits out random lines, and his enthusiasm wanes as the song goes on. Despite that, I appreciate how he pushes through with a complex flow that matches the uptempo, bass-heavy, shimmering trap beat driving the track.
I want to make this clear: I do not love this track.
4. Maybach Van (Pissin Standing Up)
I wanted to like this song so badly.
Hearing Kodak Black rap over a Jersey Club beat definitely sounds unusual, but “Maybach Van (Pissing Standing Up)” somehow makes it work. On this track, Kodak says some bizarre s**t, from talking about peeing standing up in his car to joyfully doing drugs, yet he still manages to make the song surprisingly fun and catchy.
The real star here, though, is TTO K.T., who absolutely elevates the track. With a fantastic flow, a touch of Rod Wave-style emotion, and some slick lyrics, K.T. steals the show.
This is one weird, nasty track that somehow works. Give it a spin—you might be surprised.
3. One Piece Left
Wow, who’s cutting onions in the other room?
I’ll be honest: I usually can’t stand it when Kodak Black tries to sing. But in “One Piece Left,” he proves me wrong, delivering a surprisingly solid vocal performance. So, what’s this gremlin crooning about? He opens up about having room in his heart for someone he loves while reflecting on feelings of loneliness and turning to drugs to cope.
Overall, I respect the vulnerability in his lyrics, admire the impressive melodies he pulls off, and think his singing effort here is genuinely decent.
2. Mayhem
This is one of two songs on this project that Kodak actually took seriously.
The emotions in “Mayhem” feel real as hell. Over a dark, haunting ATL Jacob beat, complete with a lonely sample that could bring a tear to even a demon’s eye, Kodak Black reveals a more vulnerable side of himself. He opens up about the friends he’s lost and the daily confrontations he faces, sharing raw and honest reflections. Yet, true to his style, Kodak mixes in a few flossy bars that show off his trademark bravado.
What stands out the most is Kodak’s versatility throughout the track. He switches between different flows, delivers passionate melodic moments, and shows a level of focus that deserves more recognition.
1. Cherish The Moment
Kodak Black put up a 30-point double-double to open this album.
You know what’s disappointing? Based on the intro of this album, “Cherish The Moment,” I expected something great… but it ended up being underwhelming. That said, in this song, Kodak showcases the commanding presence I’ve always admired. He dominates the piano-driven, dramatic beat, starting with a slow-paced flow that lets you catch every word about taking down his rivals, hooking up, and flexing his wealth. Then, he switches things up with faster, more intense flows and an added layer of aggression. Overall, I’m feeling this track.
SONG-BY-SONG RATING
RGM RATING
(D) (65%)
Kodak Black needs help, both in his life and in the booth.
I’m one of those die-hard Kodak Black fans—call it delusional if you want. I genuinely think he’s crazy talented and carries faint Tupac vibes when he speaks. The catch is that Kodak is only lovable when he’s taking things seriously. Frustratingly, he only sounds slightly serious throughout Trill Bill.
Here’s the good: Occassionally in Trill Bill, Kodak Black flows impressively, drops clever lines, reflects on his street come-up with surprising eloquence, and experiments with various beats. The bad: The mastering could definitely use some work, and there are moments where Kodak dives into sounds I wasn’t really trying to hear (Like, Jersey Club beats should stay far away from Kodak). Plus, let’s be real—sometimes, it sounds like he’s rapping with a mouthful of food. While Trill Bill isn’t a masterpiece, it’s an intriguing project worth checking out.
This album probably deserves a worse grade than a D, but it’s Thanksgiving, and I want to be nice.
Quincy is the creator of Ratings Game Music. He loves writing about music, taking long walks on beaches, and spaghetti that fights him back.