
Movie Reviews
Movie Reviews
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“Scream 7” is a Joke at Your Expense (Movie Review)
March 1, 2026

“Psycho Killer” is No “Se7en” (Movie Review)
February 24, 2026

“Wuthering Heights” is a Gorgeous and Empty Movie (Movie Review)
February 18, 2026

“Good Luck, Have Fun, Don’t Die” is a Satirical Blast (Review)
January 28, 2026

“28 Years Later: The Bone Temple” is a Miracle (Review)
January 13, 2026


“Marty Supreme” is Supremely Great (Review)
December 31, 2025

“Avatar: Fire and Ash” is the Best Avatar (Movie Review)
December 21, 2025

“The Shining” is Even Better in IMAX (Movie Review)
December 16, 2025

We are Blessed to Have “Merrily We Roll Along” (Movie Review)
December 11, 2025
Jessie Reyez bares her soul on A LITTLE VENGEANCE (is more human than no vengeance at all), an emotionally rich deluxe album blending R&B, hip-hop, soul, and pop with brutally honest storytelling about love, heartbreak, and personal growth.
Molly Santana makes it clear she’s not someone to play with on “A Girl Is A Gun,” a bass-heavy electronic hip-hop track packed with confidence, attitude, and fearless energy.
Slayyyter is back with “hey boyyy,” a chaotic, high-energy electro-pop track that captures the excitement of falling hard for someone and losing yourself on the dance floor.
Future assembles contrasting personalities for “Ya Hit,” pairing shifting trap production with slick, reckless performances.
Stove God Cooks brings animated street bars to Swizz Beatz’s cinematic “STOVIE’S HOME (Down Down).”
Curren$y and Harry Fraud reunite for "Off To The Races," featuring ten tracks and guests.
Skepta releases "The Fork and Knife," returning with fifteen tracks, diverse collaborators, and a personal perspective.
Jack Harlow returns to rapping on ‘Sweet Action II,’ balancing smooth vibes with uneven energy.
Lil Baby delivers familiar trap energy on ‘Fresh,’ with standout moments and missed creative opportunities.
Olivia Rodrigo has fed us this year. Unfortunately, it couldn’t be a perfect year, even for Olivia Rodrigo. “take me home (4 christmas)” is unfortunate proof that even Olivia Rodrigo can make a song that’s just okay.
GloRilla and Sexyy Red bring reckless bars and a ridiculous chorus to “Jiggly Bow Bow.”
The Weeknd’s After Hours Til Dawn Tour finishes with historic revenue and nine million tickets sold.
Molly Santana makes it clear she’s not someone to play with on “A Girl Is A Gun,” a bass-heavy electronic hip-hop track packed with confidence, attitude, and fearless energy.
Slayyyter is back with “hey boyyy,” a chaotic, high-energy electro-pop track that captures the excitement of falling hard for someone and losing yourself on the dance floor.
Future assembles contrasting personalities for “Ya Hit,” pairing shifting trap production with slick, reckless performances.
Stove God Cooks brings animated street bars to Swizz Beatz’s cinematic “STOVIE’S HOME (Down Down).”