Kodak Black Takes Shots At Boosie In “Christmas Eve”
Kodak Black drops “Christmas Eve” late, snaps over icy production, and kicks off 2026’s first rap feud with Boosie.
Kodak Black drops “Christmas Eve” late, snaps over icy production, and kicks off 2026’s first rap feud with Boosie.
Kodak Black closes the year with “Telephone Line,” a surprising collaboration that shows intent and vulnerability, even if the execution feels slightly off.
Kodak Black’s latest project felt pretty refreshing to listen to.
Offset proves he’s far from done after "KIARI," balancing relentless trap flows with moments of melodic introspection on "HAUNTED BY FAME."
Kodak Black’s new album blends raw honesty with renewed energy, proving he’s still evolving as one of hip-hop’s most unpredictable voices.
This week brings a mix of fresh albums and hot singles from Offset, Kodak Black, Big L, and more.
Can this be the album that finally gets Kodak Black his flowers?
Who knew Chance and Kodak could talk trickin’ like this?
Why do I get the feeling Ty Dolla $ign and YG had Kodak Black looking like Eddie Murphy in "Trading Places" while recording this track?
Buddah Bless teams up with Kodak Black on “Owe Me,” a bass-heavy, flute-driven single that shines with production but suffers from uneven lyricism.
Kodak Black might be inconsistent, but when he locks in, he reminds you why his name belongs in the conversation with rap’s elite.
Rich The Kid and Kodak Black are cut from the same reckless cloth.